Sunday, February 23, 2014

Women in Advertisement (Captured/Controlled)

Kellan Lutz of Twilight fame is the star of a new campaign by Abbot + Main and some clear themes of domination, submission, sodomy, and subjugation are apparent.






Dominance is clearly the message here, and maybe in a less subtle way than is first noticeable.  While the submissive female seems content in her role, she is still in a sexually suggestive position, and one in which the man clearly maintains virtual absolute control.  This message along with his apathetic yet mildly-content appearance suggest post sexual activity, and it is implied that "if you are like him", you also will find yourself satisfied as well - just wear Abbot + Main.

Minor details like the exposed, and somewhat famously known "barrel chest" of Mr. Lutz, imply extreme strength (Twilight role), and the addition of military dog tags provides an unknown mystery and potential danger.  Lastly, the tactically placed feint "AIN" in the area between Mr. Lutz's genitalia and our young ladies mouth is a clever trick as one is drawn to discover "just how far did they go?"

 

 

Sunday, February 9, 2014

Super Bowl Commercials: Signifiers and Signifieds

Have you ever wondered why in Hollywood movies, all the villains are played by Brits?  Jaguar knows and they have a car for you if you agree its #GoodToBeBad.



Sign 1: 

Signifier:  High technology "situation room" in classical high ceiling mansion room.

Signified:  Wealth, Power, Technology, Wisdom

 Sign 2:

Signifier:  Personal Lear Jet

Signified:  Wealth, Power, Prestige, Freedom, Opulence

Sign 3:

Signifier:  Attractive Personal Secretary

Signified:  Opulence, Excess, Pampered, Empowered.

Sign 4: 

Signifier:  Jaguar F Type

Signified:  Beauty, Wealth, Prestige, Uniqeness

Sign 5:

Signifier:  Private Helicopter "with Tea"

Signified:  Cultured, Pampered, Wise, Powerful

Sign 6:

Signifier:  Sipping Tea in moving private Helicopter

Signified:  Precision, Engineering, Responsive, Impossible

Sign 7:

Signifier:  Helicopter chases Jaguar

Signified:  Adventure, Speed, Precision, Freedom

Sign 8:

Signifier:  Hand Tailored Suits

Signified:  Comfort, Proper fit, Long Lasting, Opulent

Sign 9: 

Signifier:  Conducting car/helicopter chase in comfort

Signified:  Control, Precision, Self-determination, Calcuating

Sign 10:  

Signifier:  Tuxedo Tie

Signified:  High Society, Opulence, Exclusivity, Elite

Sign 11:  

Signifier:  London double-decker bus

Signified:  Standard, Ordinary, typical, common

Sign 12:

Signifier:  Jaguar evades Helicopter via ordinary bus

Signified:  Evasive, nimble, shrewd. decisive

Sign 13: 

Signifier:  Inner London "Picadilly"

Signified:  High Society, Special, Selected, Exclusive

Sign 14: 

Signifier:   Classic British County Estate

Signified:  "Old Money", Wise, Wealthy, Respected

Sign 15:  

Signifier:  Persons reminiscent of James Bond "baddies"

Signified:  Excess, Dangerous, Genius, Manic

Sign 16:  

Signifier:  Ben Kingsley

Signified:  Classical, Respected, Feared, Admired

Sign 17:

Signifier:  Union of three baddies

Signified:  "Great minds think alike", Intelligent, Networked, Dangerous

Sign 18: 

Signifier:  Final showcase of all the transport methods and the opulent mansion

Signified:  Monstrous wealth, organization, planning, strategy

Sign 19:

Signifier:  Statement by Kingsley "Its good to be bad"

Signified:  Pleasure in excess, greed, swagger, lionize

Sign 20: 

Signifier:  Jaguar's famous front grill

Signified:  Ancient, trustworthy, steadfast, permanent, strong

Sunday, January 26, 2014

Firth Analysis of New Zealand Transport Agency's "Mistakes" campaign



Firth Analysis

New Zealand Transport Agency

“Mistakes”

The Surface Meaning:  A typical rural or subdivision intersection in New Zealand.  A Subaru station wagon and a Nissan station wagon (the minivan of New Zealand) are approaching an intersection with a stop sign, from opposing directions.  Typical lush New Zealand vegetation and farmland is the background. The Nissan holds a Caucasian man dressed in business attire that is approaching the intersection rapidly.  The vehicle is shown to rise from its velocity, over a slight bump, inspiring a belief in probable speeding.  A Maori descendent man (native NZ tribesman) fails to double check the road and pulls his Subaru in front of the businessman in the Nissan.  Through stop motion effects the two see the impending collision and are delivered a brief respite from the impending collision, where they exit their vehicles and speak.  The Maori man asks the businessman to spare him, as his son is in the back of the wagon.  The businessman replies “I’m going too fast”.  The Maori man states “I just made a mistake” in referring to his failure to double check the intersection.  The advertisement concludes with both men reentering their vehicles, and a slight loving glance to the boy, before time resumes and the fatal impact is portrayed in graphic detail from the boy’s perspective.  It is clear the Maori man could not survive.  

The Advertiser's Intended Meaning:  The New Zealand Transport Agency is clearly advocating for driving slower through this visualization of what can happen when a driver makes a simple mistake, in conjunction with another driver who is speeding in excess of posted limits.  The campaign clearly intends to impose a feeling of guilt before any crime has occurred and forces the audience to view the feelings that occur in motor vehicle accidents, in a more palatable manner.  The dialogue is clearly intended to produce an emotional reaction and drive home the belief that slowing down on NZ roadways will save lives.  The inclusion of two station wagon’s as the colliding vehicles is clearly intended to remind the audience of the common existence of children on NZ roadways, as well as an intended belief that the speeding businessman is himself a father.

The New Zealand Transport Agency has seen an increase in traffic collisions that occur with slight, not heavy, speeding involved.   The choice to use a bright sunny day with good weather is clearly a reminder to audiences that collisions and mistakes occur in even the best of weather, and that even marginal speeding can be fatal; and that posted limits exist for reasons not visible to all motorists. The NZ Transport Agency’s data supports that many are marginally speeding, but still with enough velocity to overdrive road conditions and impede their ability to react in collision avoidance situations. 
 
A societal belief that marginally speeding “Isn’t hurting anyone” is the direct target of this campaign.

 The Cultural or Ideological Meaning:  The choice to use a Caucasian businessman and a Maori descendent is likely a play on societal values and customs that many will understand in New Zealand where the stereotypes in this film can often be true.  The white businessman constantly in a hurry is a stereotype that is certainly true in New Zealand, and elsewhere, where a type of white superiority over Maori, and other people of color, can exist from the collision of societal values that we see between these two “tribes”.  The Maori value quality of life and family much more than “keeping up with the Joneses”, and this advertisement clearly highlights the laid-back Maori rural lifestyle where “mistakes” happen, and urban attitudes toward law obedience can result in tragedy.   

Many would argue that this duality is also an indicator of urban sprawl encroaching into agricultural areas, with the businessman bringing his “lifestyle” to the rural Maori farming areas where a slower pace is the norm.

Sunday, January 19, 2014

The Persuaders




I’m persuaded.  I know it and my financials testify to it.  My trash man can testify to it.  Watching The Persuaders was a little like being told why my wealth is often squandered and I have an endless supply of worthless barely used 1D trash going out of my house – and worse yet why I can’t do much to stop it.

I’m a constant purveyor of products, most of which I purchase because of some strange attachment or feeling - for an intangible substance, taste or emotional connection.  Marketing is what they call it and this film exposed a world that is much larger, and much more sinister than I ever could have imagined.  

They once marketed eugenics in America and the techniques used to sell the final solution have molded well to selling my family useless items and overpriced products that have the correct symbol establishing our place in society.

I have often wondered if my ability to independently choose consumables is chosen for me long before I make a choice, or even realized I needed toilet paper.  Funny how the film eluded to predictive efforts and now Amazon tells me that they are going to predict my needs and send the crap I consume before I know I need it.  That’s okay for Kuerig cups, but maybe not pregnancy tests.

Worse yet is an endless amount of marketing efforts directed exclusively toward my children and in terms that make it very difficult to properly communicate parent to kid.  Increasingly desperate advertising firms now exponentially increase the lengths they will take to grab the attention of my children – who of course will beg and pester for the items they “believe” they need.  These products grace my home and remind me of just how short the career of a Disney or Nick star is these days, as an endless array of “celebutard” products are discarded for the next tween flavor.  Hanna Montana and I-Carly just departed, only to be replaced by the next five minute flavor – and Bob Iger needs my cash to maintain the lifestyle he has become accustomed to.

Disney just ended Shake it Up in October and now Bella Thorne is “slutting it up” over at Candie’s and my 9 year old daughter will run like the wind to the Candie’s section at Kohls.  Lucky me and thank you “Dis-Nicky” for maximizing profits on the backs of my kids - and the backs of all those Chinese workers who continue to roll out paper thin shirts and lead poisoned plasticy thingys.  Hell Bob over at Disney is so cool he killed two birds with one stone by having kids make the toys they should later consume.

In the end, The Persuaders was a disgusting look in the mirror that makes me glad I never joined Friend Face or spent much time with any online persona.  If the persuaders know this much about me from simple financial statements and known purchases, what would they know if I willingly blabbed it all?

Monday, January 13, 2014

Welcome to the New Comm Blog!

THE BOTTOM LINE

FACE IT, nobody owes you a living.
What you achieve, or fail to achieve in your lifetime
Is directly related to what you do or fail to do.
No one chooses his parent or childhood,
But you can choose your own direction.
Everyone has problems and obstacles to overcome,
But that too is relative to each individual.
NOTHING IS CARVED IN STONE!

You can change anything in your life
If you want to badly enough.
Excuses are for losers! Those who take responsibility for their actions
Are the real winners in life.
Winners meet life challenges head on
Knowing there are guarantees, and give it all they've got
And never think it's too late or too early to begin.

Time plays no favorites
And will pass whether you act or not
Take control of your LIFE
Dare to Dream and take risks.......
Compete!
If you aren't willing to work for your goals
Don't expect others to.
BELIEVE IN YOURSELF!